Monday, May 16, 2011

Questions: 40: David Walker

David Walker recently was at Stumptown with his new book  Darius Logan: Super Justice Force. The book allows us to look into the lives of superheros in a new way.   It was a designed as a book that your teenager wants to read.

David Walker is a director, producer, author, movie reviewer, MSN.com contributor, comic book writer, magazine publisher, businessman, and radio personality. He was a former screen editor of Willamette Week.  He literally wrote the book on Blaxploitation…two of them to be exact, Reflections on Blaxploitation: Actors and Directors Speak and BADAZZ MOFO’S Book of Blaxploitation, Volume One.

Back in 1996, David Walker created a tiny ‘zine called BadAzz MoFo.  Over the years, BadAzz MoFo earned an international reputation for its pop culture commentary and political insight, as well as the ultimate resource guide for blaxploitation. The badazzmofo website is a continuation of that legacy.

He has made several short films including Blaxploitation Star Wars mockumentary, Blackstar Warrior, Black Santa's Revenge (starring Ken Foree of Dawn of the Dead, and available on DVD), MissingReel.com: The New Home of Grindhouse History, a web series about grindhouse films.

Some of people say he is just "one of the baddest of the bad motherf**kers alive (there was six of left, but he shot the other five)"

Doug Dorr: What projects are you working on currently? Can you tell us anything about the Matt Grigsby Project?
I'm working on several projects. First, there's the sequel to my novel, Darius Logan: Super Justice Force. I'm just getting going on that, but I've set a deadline of June 30th for completion of the first draft. Next we have a comic project called Number 13. This is a collaboration with artist Robert Love, and it will debut in Dark Horse Presents #2. And finally there's the project I'm doing with artist Matt Grigsby. The working title is Moreau's Army, and as you might guess, it has something to do with The Island of Dr. Moreau, but it's nothing like anything you would imagine. It is going to be pretty awesome.

What is your artistic Process?
It varies with each project, but it always starts with a basic concept. With Darius Logan: Super Justice Force, it started with me thinking about the people behind the scenes in the world of superheroes. You never see the support staff at Avengers Mansion or the Hall of Justice, but come on, you're going to tell me that superheroes cook their own food, do their own laundry and handle all that grunt work. So, that's where that whole idea came from. With Moreau's Army, the idea came from me thinking about playing around with ideas and
concepts that already existed, kind of like what Alan Moore did with League of Extraordinary Gentlemen. I come up with a basic story premise, then I figure out the characters I will need to tell the story, and then, while I'm developing plot, I start to work on theme. Theme is everything. Without theme, you got a bad sitcom.  

DD:  With your broad backgound in movies, books, news, interviews. What are you most proud of?
That's a difficult question. Right now it is Darius Logan: Super Justice Force. But I hope that will change as a I grow as a writer. I'm also really proud of my 'zine, BadAzz MoFo, which has been going since 1996. That publication has done more for me than even I realize. It opened a lot of doors and helped me develop as a writer and person.

DD:   What Comic/ Trade would you recommend?
One of my favorite titles is POWERS, by Brian Bendis and Mike Oeming. I had taken a long hiatus from reading comics, and that's the title that brought me back to the medium. I like Bendis's other work, but POWERS is it for me. I also really like Ex-Machina by Brian K. Vaughn and Tony Harris. I think Kyle Baker's Why I hate Saturn is one of the greatest graphic novels of all time, period. Both of Matt Wagner's Mage collections remain all-time favorites. Matt is an under-appreciated genius of the comics medium, and I'd argue one of the top ten most importnat creators of the 1980s.

DD:   What Comic/ Trade would you recommend to someone new to comics?
It depends on how old they are. If they were younger, like a kid or something, I'd recommend any of the all ages Marvel stuff Jeff Parker or Paul Tobin have written. Older readers, I would definitely point them towards Why I Hate Saturn. Both of the Whiteout series by Rucka and Lieber are awesome. And I'm a die-hard Will Eisner fan, so maybe the Contract with God collection.

DD:   How involved are you with the illustration, the look and feel, of the books you write?
I have a background as a failed artist. I know what I want, and I try my hardest to get it, without being pushy. I came up with the basic character design and cover concept for Darius Logan: Super Justice Force, and then handed to the Robert Love who did the actual illustration. When I write comics, I draw rough thumbnails for myself as a point of reference. I can't write comics without doing the thumbnails. I tell the artist they can use my layout ideas, or come up with their own. But having studied guys like Will Eisner, Alex Toth and Wally Wood for years, I'd like to think I have a decent visual sense, even if my talent is lacking.

DD:   What skill would you like to learn?
I'd love to improve my drawing game. But I'm lazy when it comes to that stuff and don't have enough patience. I keep telling myself that I'm going to start drawing again, but instead I do things like make movies and write novels.

DD:   What's the most important thing you've learned?
If you want to be a creative person, then do it. Don't wait for the time or money, because it may never come. I know people who are amazing artists, but they want to get paid before to do the work. That's cool. We all want to get paid. But if no one has the money to pay you, are you not going to use the talent you have? It bothers me when people squander their talents or get hung up on getting paid. You get paid to do a job. Your artistic passion should never be a job. And if you ever get lucky enough to get paid to do your artistic passion, then you are one of the luckiest people on the planet. But until that happens, shut up and draw or write or play music and be happy that you got a shred of talent.

DD:   Do you have a collection? If so, what is one of the items you're most proud of?
My collection has dwindled over the years. Back in the day, I had every issued of X-Men from 94 to 250, including Giants Size #1. But I got rid of all that stuff. Now it is mostly trade paperbacks. I have a few hundred random comics. I have a copy of DC Showcase #43, the adaptation of Dr. No. It's pretty rare. I never look at it.

DD:   What is your favorite genre of Comics?
I'm a big fan of the superhero deconstruction genre. That would include Powers, Gotham Central and a handful of other books set in the world of superheroes, but not the primary focus. More than anything, I like a well-written book with art that doesn't suck. Genre is secondary.

DD:  Do you have an Ipad? If so what do use it for the most.
No. I'm waiting for someone to give me one as a present.

DD:   What is your favorite TV show/ movie?
My favorite TV shows of all time are Barney Miller, The Wire, The Shield and Twilight Zone. My favorite movie of all time is Jesus Christ Superstar. Seriously.

DD:   How does the Portland comics culture shapes your work
There is a great sense of community among creators and readers, and that helps to keep me motivated. It is great to talk to other creatives and it is great to interact with the people who appreciate the work. I consider myself lucky to be part of this community.

DD:   What was your first comic convention?
It was a Creation Convention in New York City back in 1978. It blew my mind. I met Bob Kane, the guy who created Batman.

DD:   What is your favorite part of comic conventions?
I love seeing friends that I don't see otherwise. When I go to Sand Diego or some other show out of town, that's when I see my friends from other cities, so it's always a reunion of some sort.

DD:   If you weren’t doing comics what would you do?
I write. It doesn't matter what the medium is. Comics are a means to an end, and that end is to tell a story. Darius Logan: Super Justice Force was supposed to be a comic. I wrote the whole thing out, and couldn't find anyone to draw it, so I rewrote as a novel. So, even if I'm not doing something in the medium of comics, I'm still writing.

DD:   Do you have a favorite restaurant that you would recommend?
Big-Ass Sandwiches food cart, Foti's Greek Deli, or Du's Grill down the street from Cosmic Monkey Comics.

DD:   How long have you lived in Portland, what made you choose Portland?
I've been here longer than Starbucks. My mom got a job here when I was in junior high school.

DD:   What is your favorite part of Portland?
Any place where the sun is shining and there are no stupid people around to annoy me.

DD:   Where in Portland/ Oregon would you most like to visit?
Any place where the food is free (and the sun is shining and there are no stupid people around to annoy me).
  
DD:   Would you like to write a character from a different media, for example, Dr. Who, James Bond? What would you explore?
At this point, I like playing with my own toys. When you play with the toys of someone else, there are too many rules. Perhaps the one exception is Shaft. I really want to do a comic series based on Ernest Tidyman's original Shaft novels, not so much the movies.

Sunday, May 15, 2011

05/28 May of the Dead Chapter 3

We are zombie fans and games fans.   Every May Guardian Games has a zombie gaming event.    This will allow us to try out some of the  great zombie games that are out there.


Guardian Games
303 Southeast 3rd Avenue
Portland, OR 97214
(503) 238-4000
Saturday, May 28 · 12:00pm - 11:30pm
FREE entry.

Movies all day long, Contest for costumes, games, props, Games all zombie games are gonna be out to enjoy!
  • Left 4 Dead 2 open gaming all day. Modern Warfare Zombie Map.
  • Last Night on Earth board game games.
  • Zombie Fluxx games.
  • Zombies!!! games.
  • Zombie Dice.
  • Castle Ravenloft the board game.
  • Zombie themed D&D 4th edition. **4:00pm w/ Noah**
  • Munchkin Zombies w/ the Men in Black
  • ZombieMachine Miniatures Scenario **12:00pm w/ John**

20% off purchases for anyone in zombie or anti-zombie costumes. 
10% off for gamers wearing zombie attire (t-shirts, hats, etc with zombie themes). 

Beer specials for zombies!
**Zombie Make-UP (we need an artist, we provide make-up, you work for tips!)

Please contact Angel at
Guardian Games if you'd like to volunteer to GM a game. GM's will receive 5 bucks in store credit if they show 3+ gamers a good time.

05-17 Screening of Dr. Butcher M. D. (aka Zombie Holocaust)

For undead mayhem, get down to the Hollywood Theatre on Tuesday, May 17 for a 35mm screening of Dr. Butcher M. D. (aka Zombie Holocaust). It's a classic Italian gutmuncher, with zombies, cannibals and, in one jawdropping scene, a propeller to the face! Check with the Grindhouse Film Festival website for more information. Showtime is at 7:30 pm.

Sunday, May 08, 2011

05/22 Presentation of Eurocomics: Art as an illustration of resistance

I just came across this Art show.   Since I am reading a bunch of European Comics right now.   I thought it would be worth checking out.

Date: May 22 7:00pm - 10:00pm
NATIONALE gallery, E. Burnside
811 E. Burnside,
97214 Portland, OR

The selection of books presented for this introduction to Eurocomics has 2 major particularities. The first one being that all the titles presented are from renowned authors and artists for the most, with major influence on the industry. Hugo Pratt, Gimenez/Jodorowsky& Moebius, Nicolas de Crecy, Winshluss, along with lesser-known great talents, as Stephane Levallois, Rabate, or Kamel Khelif. But all have war as a background landscape, or a struggle because of a human conflict. Probably because their author/illustrator felt the need to express such stories - or simply because dramatic adventures literature codes- but also because Eurocomics took on a different concept of narration and themes, as well as illustration styles than what has been exploited in the States after WWII. 

Adult content was making its way through, genres multiplied and masters of illustration glorified. One can already discover this influence with the creation of Heavy Metal, firstly a French Magazine. War was one the major reasons why Europe took on a different path than USA, along with a different cultural background, and the need to express the complexity of human psychology in those moments was needed. You will also discover it is not the industry that put this forward, rather the artists themselves, stubborn and resisting to pressures. Over time, Eurocomics have created anti-heroes and beautiful visual narration to explore all the corners of story-telling, with a diversity rarely paralleled, especially in the artwork.

All books will be presented @ the event.
Donations gladly taken, otherwise free for your eyes.

05/14 - Zombie Prom

Questions 39: Trixie Biltmore

Trixie Biltmore's  first-grade teacher tried to hold her back a grade due to “social retardation.”  Things haven’t improved much.

You can follow Trixie’s glorious repartee on twitter: @meencomics

You can read Trixie’s semi-autobiographical comic at http://www.meencomics.com,   It is updated weekly, so you’ll always have a nice fresh poop joke to look forward to.

Doug Dorr:   What projects are you working on currently?
Well, Meen Comics, at least once a week. I'll have two sets of Meen Comics in mini-comic form by Stumptown. The first volume is from the beginning of the strip, when I was still drawing myself with no pupils. The second volume will be everything from the point I gave myself pupils in the strip to the present.


I will also have a mini of the comics I've been drawing for the Portland Opera. They've been having us come out for dress rehearsal and we get a backstage tour, and then we draw comics while we sit in the dark. I'm slowly figuring out how to draw without really being able to see what I'm doing. Anyway, it's been great- I'd never been to an opera before and now I've seen four of them. And they turn out to be DURTY. I had no idea that opera is so often whole strings of dirty jokes, but in Italian, sung by a guy in a wig.


DD:   What is your artistic Process?

I don't know if you can call it a process! I carry a notebook around with me and write my ideas down in it, and then later, I read these ideas, and I find out that what I wrote down was something like "HONK HONK I'M A SCHOOL BUS" and I can no longer remember what that was supposed to mean. So then I will scramble for another idea, usually some stupid story I was regaling the studio with, and I sketch it out in a thumbnail, and then a first draft, and then I scan it and print it and ink it and scan it again and add lettering and tone it in Photoshop and then I put it up on my website and collapse to the ground, weeping softly.


DD:   What Comic/ Trade would you recommend?

Mysterius by Jeff Parker, and Bucko Comics on the web by him and Erika Moen. And also Underground by Parker and Steve Lieber. Who are all, I should note, studiomates, but who are great, and totally fun to read.


Other comics I've loved recently are anything by Jason Shiga, especially Bookhunter, and Chew, by John Layman, and Blacksad, by Juan Diaz Canales. Oh! and The Rabbi's Cat, by Joann Sfar.


But I'm a web cartoonist, and I read LOTS of those. Lulu Eightball, who is a web cartoonist out of Chicago, I think, is GREAT. I love Wonderella- that's one of the best strips on the web, and also his twitterstream is so funny. I love the artwork in Johnny Wander. And I read Cat and Girl religiously. Achewood used to be my absolute favorite, and might be again if he starts it back up- it seems like it's on a hiatus. I tend towards funny stuff. I love Eleanor Davis, who has a site called doing-fine.com - she's one of my favorites. I have everything she's in and a bunch of her small press and minis.


DD:   What Comic/ Trade would you recommend to someone new to comics?
It depends on the person and the age and what I think they'd personally like. Any of the things I mentioned up there. DAR, by Erika Moen, if they have a sense of humor.

Maybe Emitown, by Emi Lenox, if they like cute autobiographical stuff.  Dicebox, by Jen Manley Lee, is beautifully drawn and interesting, and I think she's coming out with a print edition of her book soon. If it's a kid, I really liked Hereville by Barry Deutsch, and Smile by Raina Telgemeier.


DD:    When you are story illustrator, how involved are you in the guiding the story?

It depends, but mostly it's not my job to GUIDE the story. I'm there to tell the story, and to tell it mostly the way the writer sees it.


DD:   What skill would you like to learn?.

Impulse control would be good to learn. Maybe "how to not say the thing that I think is hysterically funny but that will be offensive to everyone else in the room."

DD:  What's the most important thing you've learned?
Do you mean, EVER? Um. Learning to touch-type has made me more money than anything else I ever learned in school. Learning to admit I made a mistake and apologize is one I'm still working on.


DD:  Do you have a collection? If so, what is one of the items you're most proud of?

I don't really collect much of anything. I have a bug collection, though, now that I think of it. I have a giant acrylic block filled with about a hundred different asian insects that I keep on my desk at Periscope, and it freaks out everybody who hates bugs, so I guess that's my favorite.


DD:   What is your favorite genre of Comics?

Indie/alternative/autobio/webcomics. I started reading a lot of comics in the very late 80s and all through the 90s so I have a soft spot for indies.


DD:   Do you have an Ipad? If so what do use it for the most.

I don't have an Ipad. I kind of want one, but they're expensive and I have a laptop that does all of those things, honestly.


DD:   What is your favorite TV show/ movie?

Here is where I look like a jackass and say "I don't have a television" but I DON'T. I watch stuff on the internets all the time though. Right now I've been watching "Embarrassing Bodies" which is a Channel 4 show where they show people with giant cysts or butt zits. Any kind of disgusting embarrassing illness. I LOVE IT.


DD:   How does the Portland comics culture shapes your work?

I spend most of my waking hours in a comic book studio, and almost all of my friends are cartoonists. My work is autobiographical, and it features Periscope and Periscope people a lot, so I would say that my work IS Portland comics culture.


DD:   What was your first comic convention?

APE or Wondercon - I used to live in San Francisco.


DD:   What is your favorite part of comic conventions?

Seeing friends from all over the place and sometimes getting to meet my heros. Last Emerald City, I briefly got to talk to Sergio Aragones. That was THRILLING.


DD:   If you weren’t doing comics what would you do?

Cease to exist. I mean that quite literally.


DD:   Do you have a favorite restaurant that you would recommend?

I like Le Pigeon in Portland if I'm eatin' Fancy.

DD:   How long have you lived in Portland, what made you choose Portland?

I've lived in Portland since 2000 or 2001. I was trying to move to Seattle, and got a job here so thought I'd stay just long enough to save some money up. The company I was working for almost immediately went out of business, and just like many before me, I got stuck and broke in Portland. But then I met Steve Lieber and a bunch of cartoonists and decided I liked it here anyway.


DD:   What is your favorite part of Portland?

Periscope Studio. But also I kind of like the beer.


DD:   Where in Portland/ Oregon would you most like to visit?

I want to go backstage at the Zoo. I totally want to spend the day drawing animals and trying not to get in the way when they feed the elephants.

DD:   Would you like to write/Illustrate for another media? Or would you like illustrating a character from a different media, for example, Dr. Who, James Bond? What would you explore?
I want enough time and money to spend a year making a stop-motion movie, seriously.
But also I'd like to draw the Moomins! I love Tove Janson. I don't think I could improve on her drawings but I'd do a Moomin fan piece in a hot second.

Tuesday, May 03, 2011

Free Comic Book Day (Signings and more at TFAW)- May 7

This is a great event with great comics and prizes.  Take everyone you know to a comic book store on May7.
 
PDX YAR Pirates in Milwaukie and Portland!
Saturday May 7, come to our Portland, Beaverton, and Milwaukie locations to get FREE special-edition comics from your favorite publishers all day long (while supplies last!).
Come bring the whole family for free comics and more:
* Amazing doorbusters!
* TFAW Bucks!
* Signings with amazing creators!
* Stormtroopers and pirates!

PLUS, DOORS OPEN AT 10AM FOR ALL THREE LOCATIONS!

Stormtroopers from Cloud City Garrison in Beaverton!
Free Comic Book Day Signing Schedule!
Come on down--we've scheduled an incredible array of comic book creators all day long at each of our stores. Plus, you'll be entertained by the Pirates of PDX YAR and Stormtroopers from Cloud City Garrison!
Check out our schedule below to plan out an awesome day for pop-culture fans of all ages.

BEAVERTON STORE

12pm-3pm:
Amy Mebberson (Muppet Show, Finding Nemo)
Kelly Sue DeConnick (Osborn, Girl Comics)

2pm-5pm:
Patric Reynolds (Let Me In, Abe Sapien)
Ben Bates (Sonic The Hedgehog)

3pm-6pm: Shawn Cruz and Micah Baker (Corrosive Comics)
4pm-7pm: Dane Ault (Zombies Next Door)

PORTLAND STORE

12pm-3pm:
Ben Dewey (Dark Horse's Star Wars FCBD comic)
Paul Tobin (Marvel Adventures, Spider-Girl)

2pm-4pm: Terry Dodson and Rachel Dodson (Uncanny X-Men, Wonder Woman)

2pm-5pm:
Steve Lieber (Underground, Whiteout)
Dustin Weaver (S.H.I.E.L.D., Star Wars Vector)

4pm-7pm:
Paul Guinan/Anina Bennett (Boilerplate)
David Hahn (Murderland, Suicide Girls)

MILWAUKIE STORE
12pm-3pm:
Scott Allie (Buffy Season 8, B.P.R.D.: The Dead Remembered)
Erik Henriksen, Todd Herman, and Herb Apon (Warriors: Jailbreak)

2pm-5pm:
Ron Chan (The Guild: Tink, Supersized)
Jeremy Barlow (Metalocalypse, Star Wars)

4pm-7pm: Brandon Seifert and Lukas Ketner (Witch Doctor)

Friday, April 29, 2011

Gay Genius official release this weekend

Gay Genius will see its official release this weekend and next weekend at the  Toronto Comics Arts Festival.
In Portland there will be a release/dance party tomorrow night! Lots of artists and excitement.
Saturday, April 30 · 7:30pm - 11:30pm
In Other Words
14 Killingsworth St.
Portland, OR
The party is FREE.

If you are in Portland on Free Comic Book Day and would like to meet the artists and publishers of Dan Quayl, they will be at Guapo Comics and Coffee during the day, signing books and talking comics. Guapo is located at 6350 SE Foster road in Portland. 

Tuesday, April 26, 2011

Questions 38: Ben Bates

Ben Bates is a freelance artists who’s current projects are Archie Comics’ Sonic the Hedgehog, an upcoming story for Darkhorse Presents issue no. 35, and fantastic future projects with the estimable David Hahn. He interned at Periscope Studios and is now a member of the studio. 

Doug Dorr:   What projects are you working on currently?
I'm lucky enough so far to get to pencil Archie's Sonic the Hedgehog regularly.

I'm also having a lot of fun doing colors for an upcoming Image comic titled 'Power Chords'. It's written by comedian John Roy and illustrated by fellow Periscope Studio mate David Hahn. It's really cool to get to color all of David's super clean art and I think that's pretty cool to see a dfferent side of John Roy's creative talent. When I first heard about Power Chords I just guessed it'd be a comedy if its written by a comedian but he's crafting a cool action/adventure story.

DD:   What is your artistic Process?
I'm still figuring it all out. Even a year ago no matter what type of art I was going to create it was an approach of making it up as I go.

In regards to Sonic, knowing that the inks and letters will be on the same sheet as my pencils I'll draw my rough pencils on 8.5x11 piece of paper. I like to do all my exploratory drawing smaller and on something where it doesn't matter how rough it gets.
I'll then scan and blow the size up to 11x17, print that out and lightboard the final pencils on to the official Archie Paper.

It's really more work than I think is necessary and I dislike the lightboarding stage as it just eats up time. It'd be great if I could just draw right from the start on the Archie paper. I need to refine my process or find a brand new one.

For anything else besides Sonic, its a lot smoother as I'll draw the 8.5x11 roughs, scan and increase size, then print roughs in blue and pencil immediately on top of them.
DD:   When are story illustrator, how involved are you in the guiding the story?
Well, my first part of the answer so far in my career is I'm not very involved. The script comes my way and I just follow whats set down and wherever we go is up to the writer.

But I think another part of the answer is that I as the artist play a huge part in guiding the story because I'm the one who will primarily build the path through each story as the reader works their way through all these panels page after page. Making sure each moment is clear and the best moment to keep the story going.

DD:   What Comic/ Trade would you recommend?
Ah boy, I don't think my recommendations will capture too much attention. Easy things would be titles like 'Death Note' or 'Akira ' both of which I enjoy immensely.

But I'd say things like BOOM! studios 'Rescue Rangers' and 'Darkwing Duck' titles are fantastic and tremendously exciting. These are exactly the sort of thing I want to be reading and its unbelievable that they currently exist AND are actually really good! These are the type of comics I could only dream about reading and maybe even someday working on, but here there are, now! And I'm totally content to enjoy just as a reader! Actually thats not true, I need to draw at least one Darkwing Duck story.

DD:   What Comic/ Trade would you recommend to someone new to comics?
I'd go for 'Nausicaa of the Valley of the Wind' by Hayao Miyazaki. Its easily one of my favorite things of all time and I believe his work can be enjoyed universally.

DD:   What skill would you like to learn?
Art wise- I want to be a beast at digital inking and digital painting.

Life skill- I'd like to be a genuinely good cook. Its something I could utilize every single day.

DD:   What's the most important thing you've learned?
That nothing really matters.

DD:   Do you have a collection? If so, what is one of the items you're most proud of?
I'm interested in acquiring only what specifically interests me. Taking a glance at my shelf I have very few comics and manga, and my videogames tend to be rather focused on certain titles and companies.  I love getting art books of my favorite game companies and manga artists.

I do like to collect Pokemon and in each generation I strive to catch them all.

Items I have a lot of value for are the few japanese Mega Man and Disgaea art books I have. But its not enough, I still need more!

DD:   What is your favorite genre of Comics?
I don't have a favorite genre. I will lean towards certain genres more than others sure, like action or horror, but I like pursuing all possibilities that seem interesting. I don't want to close myself off to a super cool story.

Do you have an Ipad? If so what do use it for the most.
Thats a no go. So as of right now I can dream up the idea of having one, and the thing I would use it most for is probably reading. BUT! I look forward to the day when I'll be able to purchase digital art books in which pieces of art will have layers available. Allowing me to admire each stage of the illustrations creation!

DD:   What is your favorite TV show/ movie?
My favorite live-action movie is probably Kubrick's 'The Shining'.

Some of my favorite animated movies-
101 Dalmations, Akira, Devilman OVA (I think of each part as a movie)

Some of my favorite shows-
Superman/Batman Animated series (TMS episodes), The Simpsons (only seasons 1-8), Fullmetal Alchemist, Darkwing Duck.

DD:   How does the Portland comics culture shapes your work?
It has a huge impact as I was unaware of the Portland comic culture until coming into Periscope studio. Then suddenly I've got access to 23 comic professionals all with different approaches, ideas, and skill sets. Every day that I step into the studio I'm learning something new about the craft of making comics.

DD:  What was your first comic convention?
The first comic convention I attended was in 2003 and I don't remember what it was called. What I do remember is that it was in Austin, TX. I wanted to be a professional artist and I knew my chances at becoming a manga artist were almost zero so I turned my sights on America. I discovered an important step towards becoming a professional is to get portfolio reviews at conventions. My problem was I lived in Wyoming and nothing would ever come close to that part of the country. I discovered the Austin convention and drove 900 miles. Upon my arrival I learned that there would be no portfolio reviews.
The next convention I attended was Stumptown in 2009 leading directly to this moment.

DD:  What is your favorite part of comic conventions?
So far the opportunity to meet people whom I admire. I would have never dreamed that I could one day shake the hand of Doug TenNapel and get a sketch of Earthworm Jim from him. Earthworm Jim had a huge impact on me as a kid!

If you weren’t doing comics what would you do?
At this point its really hard to believe but I'd be a massage therapist. Which is almost what I was. There was a point in 2008 while I was waiting for the School year to start that I thought, "Well, while I'm waiting I might as well give this art thing one more chance." Then just as school was going to start, I had to make a second choice on which direction I would go and it was pretty heavy. In my heart I knew following art was what I was meant to do on the earth.

Do you have a favorite restaurant that you would recommend?
I don't know about a favorite restaurant yet. But I would certainly recommend a cart near 4th and Hall called 'Thai Pasta' which is the best thai food I've ever had.

Maybe the food carts are a good choice in general with a variety of choices. Apparently they are fairly unique to Portland and you've got all kinds of fantastic things to try out.

DD:   How long have you lived in Portland, what made you choose Portland?
I've been here since 2008 and at that time I had absolutely no idea that the city was a big place for comic creators. I came because I knew some people here and there was a great school for massage therapy.

DD:   What is your favorite part of Portland?
I don't have a favorite part but I do like specific locations. I like St. Cupcake, Uwajimaya, the Laurelhurst Theater, Staccato Gelato, Periscope Studio...

DD: Where in Portland/ Oregon would you most like to visit?
The place I would like to visit most I already get to see on a regular basis. I think Periscope Studio is the best place I've ever been.

Other than that, I'm not really sure. My sights are set on the horizon and its hard to see whats here, now. I dream of seeing Japan. I dream of shaking hands with Donald Duck. For these I must venture forth!

DD:   Would you like to write/Illustrate for another media? or conversely, how would you feel about illustrating a character from a different media, for example, Dr. Who, James Bond? What would you explore?
Oh yes, I very much want to work in videogames. Crafting worlds and thinking about game design is thrilling. I'd love to learn everything I can about it.

As for other characters, I'd kill to work on Godzilla. But it has to be a good story, a really good story. I'm really excited about the new IDW Godzilla comic. I want it to be good, really good. I can't wait to find out if its or not!

I also want to work on Mega Man. That use to be a crazy fantasy but with Archie publishing a new Mega Man comic my crazy fantasy just might come true! So far I've done a cover for the series but thats not working on the thing. Its not helping to craft the experience the reader will live with. I need to do THAT!

Sunday, April 24, 2011

05/05 - GINGERBREAD GIRL Book Release & Art Exhibit with Paul Tobin & Colleen Coover


GINGERBREAD GIRL Book Release & Art Exhibit with Paul Tobin & Colleen Coover

WHO: Paul Tobin & Colleen Coover
WHAT: Gingerbread Girl book release & art exhibit
WHEN: Thursday, May 5th, 6-10pm
WHERE: Floating World Comics
20 NW 5th Ave #101
Portland, OR 97209
(503)241-0227

Artwork on display until May. 31st.


Set in Portland, OR, this charming graphic novel by husband-and-wife team Paul Tobin & Colleen Coover is a blend of twentysomething soap opera and psychological detective story.
There are many verifiable facts concerning 26-year-old Annah Billips. She likes sushi and mountains and piglets, but hates paper cuts and beer breath. She flirts with girls and boys, and loves to travel. She might have a missing sister... or she might be totally insane.
Did Annah invent an imaginary sister named Ginger during her parents’ traumatic divorce? Or did her mad scientist father extract part of her brain and transform it into a living twin?
In this whimsical, thought-provoking graphic novel, a host of narrators (including boyfriends, girlfriends, neighbors, bystanders, magicians, and passing animals) try their best to unlock the mystery of Annah... and the Gingerbread Girl.
Read GINGERBREAD GIRL online: 

Saturday, April 23, 2011

Stumptown Comics Fest/ Double feature

Me and Sambot at the Stumptown Comic Fest.    The event moved from the Doubletree to the Convention Center.    I feel the comicfest overall had grewinto a Big Convention, with a home town feel.  The panels this year were amazing.   

I think one of my biggest surprises this year was meeting Josh Emmons from 4 Star Studios out of Chicago.    They have developed a new Comic Book reader "Double Feature", this reader allows a whole new experience with comics that print doesn't have.      It has four Layers, you can  read the comic as normal, view just the pencils, view just the inks and view the comic with creator commentary of each page.     They are releasing brand new content for the app,   The first theme is "Action"  staring Jack Kracken by Tim Seeley & Ross Campbell and The Answer by Dennis Hopeless & Mike Norton.    And the issues are 99 Cents.

These are the goals of the app (Double Feature):
It’s Digital!  --- By publishing digital-only, They can take greater risks and pass the savings
Cutting Edge Content  --- Their creators have the freedom to spitball new ideas that couldn’t work anywhere else.
Respected Creators  -- Our stories are written and illustrated by top industry talent.  
Special Features  ---  Enticing features like commentary and the ability to look at the penciled, inked, or colored version of any page.
Accessible   ---Available for the ipad and a PDF.   
All Audiences  ---  "Yes, all of them. Not just for kids. Not adults only. But exciting stories that can be enjoyed by everyone."     Josh and I discussed this particular goal at length.   As my son is reading more and more I am always looking out for new stuff for him to read.      

Read more at Comic Alliance by Chris Sims

Thursday, April 14, 2011

Live from the DMZ

I have been reading Justin Giampaoli's analysis and reviews for a while.  Usually pertaining to Brian Wood's history.    Now he set up a site "Live From The DMZ" dedicated to Brian Wood’s DMZ as it moves through its final year of publication and beyond.

The Repairmen by Moebius

The Periodic Table of Storytelling


Periodic Table of Storytelling by *ComputerSherpa on deviantART

http://tvtropes.org/pmwiki/pmwiki.php/Main/HomePage

04/20 - The Return of Dark Horse Presents Release Party!

April 20th. 7 - 10 PM.
Hollywood Things From Another World
4133 NE Sandy Blvd
 
In 1986, Dark Horse Comics changed the face of the industry with their premiere title - Dark Horse Presents. Breaking out from the cape and cowl tales of the day, Dark Horse Presents showcased some of the best and brightest voices in the medium.

Now, as they celebrate their 25th anniversary, Dark Horse Comics cordially invites you to:

THE RETURN OF DARK HORSE PRESENTS LAUNCH PARTY

It all happens at the Hollywood Things From Another World on Wednesday, April 20th. 7 - 10 PM.

Featuring Special Guest Signings by:
Mike Richardson - Founder & Publisher of Dark Horse Comics
Randy Stradley
David Chelsea
Paul Gulacy
Michael T. Gilbert
And more!

Free beer for those over 21 (with valid ID) and Pizza!

25 years ago Dark Horse Comics changed the industry, be there when they do it again!

Wednesday - April 20 at 7PM at the Hollywood Things From Another World!

Review 51 Issues 0 - 3 By Jason Miller/ Jim Hill


Jason Miller/ Jim Hill

In 1955 a remote site was chosen for the Lockheed’s Skunk Works projects.    A fake construction firm named CLJ is formed by the CIA to oversee the construction of the base, build hangars, a mile-long runway, control tower, mess hall and living quarters  in Groom Lake, Nevada.   In March of 1984 the Air Force posts armed guards along the access points to the 89,000 acres of public land to the east and north of Groom, expanding the borders of the base.  These are the on-going stories of life and times of the people that work at the infamous military base, Area 51.

The stories in these issues are about the organization that investigates alien incursions on the planet and control the news about them.    The group consists of agents and the scientists that support them.    Jason Miller has done a good job giving each character their own voice and story.     In these four issues you just get introduced to the characters as they go on variety of missions.   I really liked the quirky humor and the tantalizing back stories that are revealed.  I am driven to continue reading these comics because I am interested in the characters and their interactions.

I like Jim Hills art work;  I first came across his work on the zombie horror western, Dead Don’t Die also from Working Class Press.     His work has stylized heavy lines, sometimes it looks like a wood cut print to me.    He has done a good job creating individual looking characters for this story.     He has a unique style, it is  a bold, cartoony style, with blocky figures with a 60’s style.    

A quick rundown of the characters

General Hughes - BMOC
Zoe – Hughes assistant

Agents :
Hill – Curmudgeonly  experienced agent
Phelps – New agent starting at Area 51

Scientists:
Dr Spencer  - curious space case with 3 doctorates from MIT
Dr Whitman – Alien Behaviorist
Dr Burns – Cranky nerd
Dr Armstrong – Head of the department
Dr. Krieger –   ???

And the Adversary
Gant

Check it out at Working Class Press

Is Mama Happy?



HELENA, Mont. -- Displaying his trademark showmanship, Democratic Montana Gov. Brian Schweitzer stood on the Capitol steps Wednesday and punctuated his rejection of 17 Republican bills by emblazoning representations of several of them with his "VETO" branding irons.

Read more

This makes Mama Happy.

When Mama’s not happy nobody is happy

Where I live when Mama’s not happy nobody is happy.    My wife, Olivia, is Mama.    She has opinions.   You should listen to her.   She will be reviewing everything from TV, Movies, Restaurants and her other experiences.   We will put the results on the “Is mama happy?” index.      You all should pay attention; we know our lives are better when we do.


Some things that make mama happy
Walking Dead and zombies
Being Human
knitting
Wine from Trader Joes
Beer
Zoo Brew
 
Some things that make mama not happy
People that suck
Prejudice/bigotry - any kind gets a big thumbs down

04/29 Second Annual Chili Cook-Off Fundraiser for IPRC

Join the IPRC for this good time jamboree, featuring all-you-can-eat chili, free beer/wine(!), music by the Rabbit Foot String Band, plus prizes awarded to the best chili makers in four categories: Best Veggie; Best Vegan; Best Meat; and Hottest. Last year the IPRC went through about twelve pots of chili in an hour, so they need more folks to enter this year. If you'd like to bring chili for this year's contest, please RSVP with IPRC Board Member Dawn Andreas at dawnandreas@gmail.com.
Friday April 29; 6-9pm
@IPRC; 917 SW Oak #218
$5 for all-you-can-eat chili; all proceeds benefit the IPRC

04/15 - Stumptown Dinner -- Friday April 15th from 6-9pm

This year Stumptown is partnering with Dark Horse to put together a benefit dinner for the CBLDF. On Friday April 15th from 6-9pm they are bringing 6 artists together for a night of food and drink at the Bridgeport Brewpub in the Pearl, and they are auctioning off 10 seats at the table to fans and readers. Winning bids will include dinner and conversation with the artists, who have also agreed to provide commission sketches for each winner, so free artwork as well!

The artists for the dinner include Matt Wagner, Steve Lieber, Carla Speed McNeil, Brandon Graham, and Eric Powell, and the bidding starts at $30 a seat. All the money raised goes to the CBLDF.
 
Bid now on Ebay

The bids start at: $30 for dinner and sketches from some FANTASTIC artists!

Date: Friday April 15th from 6-9pm 
Where: Bridgeport Brewpub in the Pearl,